Kaamulan Festival
“Kaamulan” is from the Binukid word
“amul” which means “to gather”. It is a gathering of Bukidnon
tribespeople for a purpose. It can mean a datuship ritual, a wedding
ceremony, a thanksgiving festival during harvest time, a peace pact, or
all of these put together.
Showcasing the unique indigenous culture
of Bukidnon, the Kaamulan is held annually in the province,
particularly in Malaybalay City, the provincial capital, from the second
half of February to March 10, which latter date marks the anniversary
of the creation of Bukidnon as a province in 1917.
As an ethnic festival, the Kaamulan
celebrates the customs and traditions of the seven tribal groups that
originally inhabited the Bukidnon region, namely, the Bukidnon,
Higaonon, Talaandig, Manobo, Matigsalug, Tigwahanon and Umayamnon.
Several tribal folks representing these seven hill tribes of Bukidnon
gather in unity with the local dwellers in town, wearing their
intricately woven costumes studded with trinkets, anklets, earrings,
necklaces, leglets, headdresses and amulets. They dance together, chant,
perform ancient rituals, and compete in indigenous sports.
Graced by cultural groups whose ways
have remained unchanged throughout the centuries, the Kaamulan is
characterized by the authentic rituals with real indigenous peoples.
There is the Pangampo (general worship), the Tagulambong hu Datu (ritual
for the installation of a Chieftain), the Panumanod (a spiriting
ceremony), the Panlisig (rite to drive away evil spirits), and the
Pamalas (sin atonement ritual) among others.
Each activity is a meaningful ceremony
that reflects the richness and diversity of the Bukidnon culture.
Integrated into the festival are activities designed to fuse the
different sectors in the provincial community as a whole. The events
which have been institutionalized over the years of celebrating the
Kaamulan include the Civic Parade; the much-awaited Street-dancing
Competition with contingents coming from the respective municipalities
and cities of the province; the Laga Ta Bukidnon where beautiful ladies
from within the province vie for the title; programs reminiscent of the
historic beginnings of Bukidnon and its tribal oral traditions; and, the
Ethnic Dance Clinic.
Furthermore, the present Kaamulan has
evolved throughout the years and does not only highlight Bukidnon’s
ethnic groups but also the products and local establishments that abound
in the province. These are displayed in the Garden Show, Food Fest,
Kaamulan Bazaar, Agri-fair, and Livestock Show. Crowd-drawing events
such as the Motocross, Off-road Competition, Rodeo, Amateur Boxing,
Invitational Basketball Tournament, Adventure Races, concerts, and
several others are also roped into the festivity.
To the hill tribes, Kaamulan heralds the
symbolic breakthrough of their long quest for meaning and identity. And
to the new generation, the old local folks and even visiting
foreigners, the Kaamulan has become an avenue for the recognition and
appreciation of Bukidnon’s unraveled cultural legacy carefully preserved
by the traditional population. Truly, the Kaamulan is an interesting
ground for the unification of the people of Bukidnon… one that converges
the past and the present, celebrates its rich culture and inspires its
people.
Kaamulan started as a festival on May 15, 1974 during the fiesta celebration of the munipality of Malaybalay. A town official thought of inviting some indigenous people and made them perform a few dance steps at Plaza Rizal to the fiesta celebation. The celebration however proved very popular and together with the national coverage the kaamulan festival has become regional festival of Northern Mindanao, as declared by Regional Development Council of Region 10 September 16, 1977. Kaamulan was formerly held on the first week of September but in 1996, it was transffered to the present date to synchronize it with tha foundation celebration of the province.
Bukidnon heritage kept alive 2002 03 18
Kaamulan festival, Malaybalay City.
Kaamulan Festival highlights Bukidnons 91st Foundation Day.2008 02 29.
by: Welnar Sucatre
by: Welnar Sucatre
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